Nikon D7200, 12-24mm f/4G lens @22mm f/8, aperture priority. Minimally edited for saturation, contrast, and shadow detail. |
"And as regards the temple which they call the Parthenon, as you enter it everything portrayed on the gables relates to the birth of Athene, and behind is depicted the contest between Poseidon and Athene for the soil of Attica. And this work of art is in ivory and gold. In the middle of her helmet is an image of the Sphinx,—about whom I shall give an account when I come to Bœotia,—and on each side of the helmet are griffins worked. These griffins, says Aristus the Proconnesian, in his poems, fought with the Arimaspians beyond the Issedones for the gold of the soil which the griffins guarded. And the Arimaspians were all one-eyed men from their birth; and the griffins were beasts like lions, with wings and mouth like an eagle. Let so much suffice for these griffins. But the statue of Athene is full length, with a tunic reaching to her feet; and on her breast is the head of Medusa worked in ivory, and in one hand she has a Victory four cubits high, in the other hand a spear, and at her feet a shield; and near the spear a dragon which perhaps is Erichthonius. And on the base of the statue is a representation of the birth of Pandora,—the first woman, according to Hesiod and other poets; for before her there was no race of women. Here too I remember to have seen the only statue here of the Emperor Adrian; and at the entrance one of Iphicrates, the celebrated Athenian general." — Pausanias (c. 110–180 A.D.), The Acropolis of Athens and its Temples |
