Acropolis, Athens, Greece, 2017.10.10
Acropolis, Athens, Greece, 2017.10.10.
Nikon D7200, 12-24mm f/4G lens @12mm f/8, aperture priority.

"Pottery sherds of the Neolithic period (4000/3500-3000 BC) and, from near the Erechtheion, of the Early and Middle Bronze Age, show that the hill was inhabited from a very early period. A fortification wall was built around it in the thirteenth century BC and the citadel became the centre of a Mycenaean kingdom. This early fortification is partially preserved among the later monuments and its history can be traced fairly accurately. The Acropolis became a sacred precinct in the eighth century BC with the establishment of the cult of Athena Polias, whose temple stood at the northeast side of the hill. The sanctuary flourished under Peisistratos in the mid-sixth century BC, when the Panathinaia, the city's greatest religious festival, was established and the first monumental buildings of the Acropolis erected, among them the so-called 'Old temple' and the Hekatompedos, the predecessor of the Parthenon, both dedicated to Athena. The shrine of Artemis Brauronia and the first monumental propylon also date to this period. Numerous opulent votive offerings, such as marble korai and horsemen, bronze and terracotta statuettes, were dedicated to the sanctuary. Several of these bear inscriptions that show the great importance of Athena's cult in the Archaic period. After the Athenians defeated the Persians at Marathon, in 490 BC, they began building a very large temple, the so-called Pre-Parthenon. This temple was still unfinished when the Persians invaded Attica in 480 BC, pillaged the Acropolis and set fire to its monuments. The Athenians buried the surviving sculptures and votive offerings inside natural cavities of the sacred rock, thus forming artificial terraces, and fortified the Acropolis with two new walls, the wall of Themistokles along the northern side and that of Kimon on the south. Several architectural elements of the ruined temples were incorporated in the northern wall and are still visible today."

— Ioanna Venieri, Ministry of Culture and Sports