Nikon D7200, 12-24mm f/4G lens @12mm f/8, aperture priority. |
"The temple was made of Pentelic marble, the frieze of Eleusinian grey stone with white relief figures attached to it and the foundations of Piraeus stone. On its east side, an Ionic portico with six columns sheltered the entrance to the east part of the building. Inside was the cult statue of Athena, made of olive wood, which the Arrhephoroi draped with the sacred peplos during the Panathenaic festival. On the north side is the entrance to the west part of the building, sheltered by a pi-shaped propylon with four Ionic columns along the facade and one on either side. The stone paving of this propylon was thought to preserve the traces made by Poseidon's trident when it hit the ground and produced salt water. Under the temple's floor was, according to tradition, the 'Erechtheis Sea' where the waters from Poseidon's salt-water spring gathered. A small door on the west side led to the sanctuary of Pandrosos, which stood west of the Erechtheion. Four Ionic columns on a high stylobate, with metal railings between them, adorned the west facade. Finally, another door on the south facade of the western temple opened onto the porch of the Karyatides, a pi-shaped structure with six female statues instead of columns to support the roof. Created by Alkamemes or Kallimachos, the statues were later named Karyatides after the young women from Karyes of Lakonia who danced in honour of the goddess Artemis. Five of them are in the Acropolis Museum and another in the British Museum those on the building are casts. The frieze probably depicted scenes related to the mythical kings of Athens." — Ioanna Venieri, Ministry of Culture and Sports |
